SOMIN reads your category off the live web, finds the territory nobody is buying, writes the propositions, produces the creative in your own Figma components — and scores every frame before a cent of media commits.
Generative tools removed the cost of producing an option. They did not tell you which option to run, whether anyone in the category has already saturated it, or whether it is on brand. So volume went up, decisions did not get better, and the review meeting got longer.
Territory chosen from the deck that worked before, not from what the category is buying media on this quarter. The open ground stays invisible.
Invented logos, drifting palettes, imagery nobody licensed. Production ends up rebuilding by hand what the model was supposed to save.
The first honest read on a creative arrives after spend. By then the cut is expensive, and the learning lands too late for the flight it was meant to fix.
Each move hands the next one its inputs, so nothing is re-briefed by hand. This is the same sequence the hero walkthrough is stepping through — timings included.
Brand, palette and event scope pulled off the live web, then fifteen parallel studies across the category’s real paid output.
Persona, tension and angle chained into a story per pillar, then propositions written only against capabilities you already own.
Expressions generated under a locked prompt suffix, then rebuilt as real frames in your own Figma file — optional, and only if you hand over the template link.
Every exported frame goes back through scoring. Only creatives clearing both halves of the gate reach the live campaign — then measured CTR reopens the loop.
Every figure below is from a single real run. Machine time counts only the minutes the pipeline was working — waiting on a human is not a number we get to claim.
The brief was a single chat message naming the client, the congress and two skills. SOMIN read the brand off the live web, ran the category, picked the territory the field was leaving open, wrote the propositions, generated 108 expressions and rebuilt them as real frames in the client’s own Figma component set.
Share of the brand’s own paid output against the category’s. A territory is only worth buying when the brand is quiet and the field is loud — or when nobody is there at all.
The field runs 28.8% of its media here. The brand runs 3.4%. The largest single gap in the read, and the one the campaign took.
Nobody in the category bought against this in 90 days. No competition, and no proof it converts yet — a test, not a bet.
Half the brand’s own output already sits here against a field at 17.2%. Over-served by the brand itself — defend, don’t expand.
45.8% of the brand’s output against a field at 2.5%. Loud, but talking to a room the category has already left.
Whether the constraint you carry is brand integrity or media efficiency, SOMIN plugs into the point where the decision is actually made.
Production happens in your Figma file, against your real component set — so what comes out is not a model’s impression of your brand, it is your brand.
Every frame is scored against the category corpus, and only creatives clearing both halves of the gate reach the live ad set. Then measured CTR reopens the loop.
Once your workspace has accumulated brand and category signal (typically 60–90 days), graduate parts of the workflow to autonomous execution. SOMIN plugs in via MCP as the Strategy Agent in a multi-agent pipeline — which is exactly how the run in the hero was orchestrated.
Most brands do. The question is whether anything in the stack tells you which of those creatives to run. The pushbacks we hear most:
A 30-minute walkthrough on your brand, your competitors and the moment you are about to buy media against. Then — if you want it — a live session where we run the whitespace read on the competitor set you name.
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